Sarah LaPolla is a literary agent with Curtis
Brown LTD. in New York. She represents YA fiction, among other genres, and is
on the lookout for debut authors. As if that isn’t awesome enough, Sarah’s also
an active member of the online writing community, a hilarious and informative
twitterer (?tweeter), and the face behind the Glass Cases blog, which features
works by unpublished authors. All that, AND she agreed to be interviewed by me
with only minimal threats of bodily harm involved.
Welcome to the blog, Sarah! Thanks so much
for agreeing to this interview. My first question: What is your
favorite part of the agenting biz?
Sarah: Hello Michelle! Thanks for having me.
My favorite part of agenting is working
with my clients, hands down. They are so talented and dedicated, and I feel
incredibly lucky to be a part of getting their stories in the hands of readers.
Michelle: What are you actively looking for
right now?
Sarah: Well I represent both YA and adult, but I’ll focus on the YA here. With
YA, I love a good contemporary story that has unforgettable characters.
Character and voice are what I look at most in submissions, but I’m also hoping
to see more plot-driven stories in my slush pile – mysteries, thrillers,
horror, and non-dystopian sci-fi in particular!
I’m also looking more into Middle Grade,
which isn’t something that appealed to me when I first became an agent. I think
MG is on the rise though and I’d love to see a great literary, coming-of-age
MG, in the style of John Green or Jenny Han, but younger (of course). I think
MG readers are ready for something like that.
Michelle: Is there anything you’re sick of
seeing in the slush pile?
Sarah: Paranormal romance. It’s not that I don’t appreciate it when it’s done
well, but I’m just tired of it. I’m ready for the next thing.
Michelle: What are the biggest mistakes you
see first-time authors making in the query process?
Sarah: Sometimes I know when someone is new to
the querying process when they spend too much time talking about the inspiration
for the book, how long it took to write, or the themes they hope to invoke.
More seasoned queriers know that agents just want them to get to the point –
what is this book about, who is the main character, what genre is it.
Everything else is just extra information that usually has no bearing on
whether I request the manuscript.
Michelle: How far into a manuscript (or query
letter, for that matter!) are you willing to read before deciding to reject an
author? First paragraph? A couple of pages? The first chapter?
Sarah: I always read the entire query letter unless it says in the first
line that it’s a genre I don’t represent (i.e. picture book/children’s). With
requested manuscripts, I always give it at least 50 pages, depending on how
much potential I see in the story. If it’s clear that I’m just not into the
narrator’s voice, then sometimes I stop at 25. If I do like the voice and the
writing, but I’m editing the plot development as I go, I’ll finish the entire
manuscript so that I can offer revision notes.
Michelle: I see you have an MFA in Creative
Writing. Does your education make you more willing to work with an author on a
project that isn’t quite there yet, if you see its potential, or does this have
no bearing on your decision?
Sarah: I am pretty editorial when it comes to
both requesting a revision and in working with my clients, and my education
definitely contributed to that. I know the importance of revision, and I have a
better eye for helping a writer envision where a project can go. They
don’t have to listen to me, of course, but I always hope they do!
Michelle: What is your number one piece of
advice to authors?
Sarah: Read in the genre in which you write. If
you’re not a fan of what you write, how can anyone else be? Writers should also
know their competition, what works in the genre, what doesn’t work, what does
the market have too much of, what is something new you can bring to the table,
etc. Know your field inside and out.
Michelle: What is the best way for authors to
contact you?
Sarah: I prefer email queries – sl @ cbltd . com. Paste the query in the body of
the email, and include the first five pages – also pasted in the email. No
attachments, please!
Michelle: Thank you again, Sarah!
Sarah: Thank you!
Michelle: *Lets Sarah out of headlock*
Sarah: Phew! I can breathe again :)
Mysteries, thrillers, sci-fi. *rubs hands together* *gets laptop out*
ReplyDeleteHmm, that does sound like a certain novel, doesn't it? :P
DeleteAnother agent who represents YA contemporary! I'll be adding her to my list. Thanks, Michelle. Sarah sounds great :)
ReplyDeleteNo problem, Brandy!
DeleteGreat interview. Sarah sounds like a great find for any lucky author!
ReplyDeleteShe does, doesn't she?
DeleteThanks, Bethany!
Awesome interview, Michelle and Sarah!
ReplyDeleteAdding Sarah to my query list this very moment
Great plan!
DeleteAnd thanks, Aaron :)
I've been hearing that a lot about paranormal romance lately. Makes me so relieved I decided my heart was set on a contemporary.
ReplyDeleteThanks for another great interview, Michelle
And of course thank you to the lovely Sarah!
Thanks, Naomi!
DeleteIt's hard when the trends are always changing, isn't it? Glad you went with your gut (or was it heart?).
Just checking into say that I love this series of blog posts. Another fantastic agent :-) Who knew they were such a friendly bunch. :-)
ReplyDeleteThanks, Amaleen! So glad you like it!
DeleteI have to agree that these interviews are making agents, as a group, seem less intimidating and more approachable. Who knew they were normal people?! Haha. Sarah sounds awesome, as have all the other agents.
DeleteI agree with Sarah that reading in the genre in which you write is great advice. It's the best way to avoid writing something redundant. It'd be awful to spend a year or whatever slaving over a book ony to find that the market is already saturated with books of that exact sort, or that you've written Harry Potter 2.0.
ReplyDeleteI also find that it helps with creating a voice that sounds age appropriate (eg. read a lot of YA to sound appropriately teen).
All so true, Julia. That was actually kind of what happened with my first book, which was a failure. Not a teen voice at all, and it certainly wasn't breaking any new ground, all of which I would have known had I read more in my genre!
Delete